1960 Gibson ES-330TD

1960 Gibson ES-330TD

1960 Gibson ES-330TD. Incredibly clean and in wonderful condition. Slim dot neck, black plastics and 2 killer P90s. This one won’t be here long!!
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1965 Gibson ES-175 Charlie Christian

1965 Gibson ES-175 Charlie Christian

Extremely rare example, custom built at the factory with a ‘Charlie Christian’ single coil bar pickup.

Keep an eye on the website for more details and photography to follow.

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1964 Gibson SG Junior, Cherry

1964 Gibson SG Junior, Cherry

Super clean and original Gibson SG Junior from 1964; we are big fans of Juniors here at V’n’R and this guitar is no exception. Guitars don’t get much simpler than this, a featherweight Honduran Mahogany body and neck, single P90 pickup in the bridge, a volume and tone control and a wraparound bridge and tailpiece. Despite the simplicity a good Junior can be one of the most versatile and intuitive guitars out there. Through an amp that’s breaking up nicely they sound big, bold and punchy but will clean up to an almost acoustic like whisper. This one in particular is slightly darker sounding than other SG junior we’ve dealt with, no bad thing; if anything it sounds closer to the earlier style double cutaway Junior.

The guitar has no issues, breaks or repairs and the original tailpiece is still nice and straight and the cherry nitro finish is bright and un-faded.

The guitar comes with hangtags and a Gibson Challenge case

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1978 Travis Bean TB1000S

1978 Travis Bean TB1000S

1978 Travis Bean TB1000S. What an incredible guitar! These amazing guitars went through a few refinement changes over the limited time they were made but the Aluminium neck and the awesome proprietary neck mounted pickups were a constant. Being a later 78 guitar this one has the
painted neck and slim body but still has all the important details. One killer guitar!
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1961 Fender Stratocaster

1961 Fender Stratocaster

Here’s a great Pre-CBS 1961 Fender Stratocaster. Nice slim profile, slab board neck. Body had been overpainted but has been taken back to what looks to be the original finish giving it a bit of a relic vibe. The hardware, pickups and guard are all good with traces of the Olympic white refin evident underneath. Super cool and great to play after coming back from a little fret treatment. Details on the website soon or send us an enquiry!

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1964 Gibson J-200

1964 Gibson J-200

The King of the flat tops. Gibson’s biggest and baddest flat top guitar. 1964 Gibson J-200 Custom. It’s all there; moustache bridge, cloud inlays, flower motif pickguard, highly flamed maple back and sides and a beautiful figured maple neck that wouldn’t look off on a Loar era L5. Absolutely hands down one of the best big body acoustics we’ve had in with the added bonus of some nice provenance.
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1961 Gibson ES-355TD-SV

1961 Gibson ES-355TD-SV

First shipped in 1958 but officially released in 1959 the ES-335TD-SV was the flagship guitar in Gibson’s new Thinline Electro Spanish series. The ES-300 range went from the simple, functional single pickup (ES-330T) through the ES-335 and ES-345 to the top of the range ES-355 TDSV (Thinline, Double pickup, Stereo, Varitone).

Gibson shipping records show an initial ten ES-355TDs were shipped in 1958 but by the first full year of production in 1959 the number had increased to a healthy 300 total guitars shipped. Standard 1959 specs for the guitar were Cherry finish only, semi-hollow double cutaway with maple block running through the center, two humbucker pickups with independent volume and tone through a 3-way switch, stereo electronics with 6-position Varitone rotary control (mono electrics were available) and a Bigsby Vibrato (although factory stoptail examples do exist). The guitar was appointed to a high level in line with the Super 400 archtop and solidbody Les Paul Custom with a 5-piece split-diamond headstock inlay, multiple bound body with a bound neck and long tortoiseshell pickguard, an ebony fingerboard with pearl block inlays and gold hardware throughout.

By the first catalog appearance of the ES-355 in the 1960 Catalog the guitar was offered as either the ES-355TD at $550.00 in Cherry or the ES-355TD-SV at $600.00 also in Cherry, with the 519 Faultless plush-lined case costing an additional $47.00. Shipping records show a total of 291 ES-355TD shipped with 174 of those being the ES-355TD-SV.

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1965 Mosrite Ventures Model

1965 Mosrite Ventures Model

Founded By Semmie Moseley in the mid-1950’s after a time working with Roger Rossmeisl at Rickenbacker Mosrite spent the early part of their production concentrating on custom, handmade guitars including double and triple neck instruments, most notably a double neck guitar for Joe Maphis. In 1963 he met Nokie Edwards of the Ventures, who liked what Semie was up to. The band struck an endorsement deal with Mosrite and The Ventures Model went into production.

Mosrite Ventures model guitars have many unique features compared to other historic American marques and Moseley was not afraid to do things differently, all Ventures Models do share some common traits, notably, a reverse-style double-cutaway body, slim neck with zero-fret and steel guide nut and low Mosrite speed frets, proprietary Mosrite vibrato and bridge, proprietary fat single-coil pickups and “The Ventures” headstock.

Due to the nature of construction the Ventures Model went through various changes during it’s original 1963-1969 production. This lovely rare blue example is from 1965 and has all the design and production traits of a guitar from that period including the unbound German carved body, bolt-on neck, small Mosrite logo, Mosrite Mosley Tremolo/tailpiece and V and T short Mosrite knobs. The serial number 3042 drops the guitar into the 65-66 range with the neck dating Dec. 1965 and a body date of Nov. 1965. Pickups are unmolested with no signs of a rewind with pot codes matching Centralab 34th week of 1965. Tuners are Pat.No double line Kluson Deluxe tuners.

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1962 Gibson ES-175D

1962 Gibson ES-175D

What a beautiful guitar. Just into the shop and out for sale we have a super clean and very sweet 1962 Gibson ES-175D. Normally it hangs happily on the far right on the back wall among some pretty forbidding guitars and it more than holds its own. Very comfortable J-45 size body, incredible sounding pickups, much more versatile than than you think and in my opinion the best fretboard inlays on a Gibson. More details and photography soon.
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